OSCAR RANT!

I remember when the Academy Awards inspired me to become a filmmaker.  Then the Awards inspired me to keep going with the slogan, "why not me?".  Independent Films started gaining momentum with successes like "Little Miss Sunshine."  Now I watch the Academy Awards and it inspires me to move out of the country and become a filmmaker elsewhere.

I heard thanks and awards go out to, Canada, Argentina, Venezuela, Mexico, United Kingdom, Bulgaria, France and Spain.  This doesn't include the Foreign Language nominees.  Thanks for clearing up the Foreign Film versus Foreign Language Film category.  That's been changed and I am guessing that I wasn't the only one miffed at these U.S awards going abroad.

It would be nice if the award show could actually stay within three hours.  They joke, poke fun and  complain about how long the Oscar Show is and then go across the street to thank the people sitting in a movie theater for their support.  The bit is cute, but it took twelve minutes.  You want to shorten the show even more, get rid of the Foreign Language Award.  No one in the U.S. truly cares about that award.  Give it away during one of the commercials and tell us what we missed when we come back.  Same for short subjects, documentaries and such.  These are categories where we go to the bathroom or make a sandwich.   "Dunkirk" won three Oscars; Sound Editing, Sound Mixing and Editing.  The same team received the award for each.  Usually the sound mixing and sound editing awards go to the same film and team.  Why did we split those awards again?  Combine them back!  If the "Dunkirk" team was smart, they would have thanked everyone during the first award and gone up and won the Jet Ski with the second or third award.

Limit the acceptance speeches for the early awards to one person accepting on behalf of the film.  Give them a minute and move on.  Seriously, text everyone your thanks and buy them a drink at the after party.  In Memoriam?  When did the singer become more important than those that have inspired us over the years passing?  I was going to be pissed off because a friend of mine's father passed and he was left out.  I am speaking about Richard Venture.  Look him up, his credits were definitely worth a mention.  He played Al Pacino's brother in the Academy Award winning film, "Scent of a Woman," "Clint Eastwood's commanding officer in "Heartbreak Ridge," the American Ambassador in the Academy Award winning film "Missing."  Here's a man and name you may not recognize but a face that has played with some of the greatest names in Hollywood.  However, the Academy also forgot to mention Oscar winner Dorothy Malone, the Director of three Bond films and the Academy Award nominated film "Alfie, Lewis Gilbert and "Poltergist" director Tobe Hooper.  Holy crap, Batman!  Who screwed this up?

Someone was upset David Ogden Stiers was left out, but he died two days before and in 2018.  It's supposed to be those we lost in 2017.  You can bitch about David next year if they leave him off.  Adam West was a studio contract player before he became television's Batman and Batman had at least two movies starring Adam West.  

Anyway, it got me to calm down when I saw others were omitted and not just Richard Venture.  I was a real fan of Richard's work and actually got to work with his talented son Tony on a movie as well as hear his band play at clubs from time to time.  I'm sorry for your loss, Tony and even if the Academy Awards didn't do it, I want everyone to know another talented actor was lost in 2017.

Not to brag, but all my selections posted last week were correct.  I'm glad the award season is over and I can get back to the usual grind.  

Next week I'll be writing about the paperwork that needs to be filed by filmmakers using the Ultra Low Budget.

Until then, see you at the movies!

Bob

WHY ULTRA LOW BUDGET CONTRACT?

When I was running the Central Florida Film Festival I came across many feature film entries.  All but a few made on a shoestring.  Which means the "I didn't have money" excuse won't cut it.  There were quite a few films that if they had used a professional actor/actress rather than Mom and Dad the chemistry and performances may have been much better and in turn the making of a better film.

Yes, one or two professionals do make a difference.  Did you know that SAG/AFTRA has a contract for films budgeted at two hundred and twenty-five thousand dollars and under?  If your film doesn't have any money, think again.  Are you making the film for twenty thousand dollars?  Then you qualify.  The Ultra Low Budget day rate is $125/day (+ Pension & welfare).  The important thing to remember is that in the Ultra Low Budget you can mix non union actors with union actors.  So, with P & W make it $150/Day.  There are two reasons why actors like to work.  One is money and the other a good script. Most actors like to work and if you have a good script perhaps someone in the Guild might even attach their name.  A dozen characters in your cast?  Perhaps three guild members would do the trick.  They have more experience and have been on a professional set before. That's a requirement to become a member of SAG/AFTRA.

Actors have a way of either playing up or playing down to your lead performer.  Setting the bar is important and by setting that bar higher you might think you're spending more money but it's definitely making your film a better project.  This could mean the difference of receiving distribution or not and perhaps even getting your money back.  Check out the SAG-AFTRA.org website and take a look at the sample contract.  Remember the SAG/AFTRA representatives are only doing their job and that job includes getting work for their members and at the same time making sure their performers are treated with the proper professionalism that filmmakers should treat all their performers.

Next week I will walk you through the application process.  There's some paperwork to get started and it can be frightening.  I'm actually in the middle of applying for a new comedy I am making in May.  Have three SAG/AFTRA members attached and now need to make sure their contract is in order.  By next week I will be an expert in the process and gladly share it with you.

Sunday is also Oscar night and I would be remiss if I didn't at least post my selections.

BEST ACTOR - Gary Oldman (Darkest Hour)  I already told you how I feel about UK films invading our award show but Oldman was Churchill and deserves the nod.

BEST ACTRESS - Frances McDormand (3 Billboards)  I loved  Sally Hawkins performance in the Shape of Water but I know how the Academy thinks and no one plays the middle age mom in distress like Frances McDormand.

BEST SUPPORTING ACTRESS - Allison Janney (I, Tonya)  I have it between Janney and Octavia Spencer but I watch "Mom" and Janney's transition from comedy to drama was seamless.

BEST SUPPORTING ACTOR - Sam Rockwell (3 Billboards)  It was a great ensemble and Woody Harrelson could cancel him out and veteran actors like DaFoe and Plummer could slip in but going with what I thought was the best stretch for a performer.

BEST DIRECTOR - Guillermo del Toro (The Shape of Water)   The Academy has set this up for del Toro or a female director (Greta Gerwig).  It seems as if Three Billboards Outside Ebbing, Missouri received all it's nominations including Best Picture without the help of a director. I hate when they do that.  They did it to Spielberg for "The Color Purple."  Everyone gets a nomination but the director.  It's amazing what department heads can do without leadership.

BEST PICTURE - The Shape of Water.  I was all over Three Billboards Outside Ebbing, Missouri but both pictures were excellent and the Academy swayed my selection by omission of the director. This could however be a ploy by the academy to give the women's movement what it wants but if Lady Bird is announced as best picture don't turn off your sets.  Remember last year?  I wouldn't be surprised if the winning producer's are pulled off the stage by del Toro's monster and the award handed to him instead.

My final prediction is that next Monday I will be ranting about the Oscar's .

Later,
Bob


Bob Cook
Film Director

You can view previous blogs as well as our new podcast at www.BCEntertainmentGroup.com